…a multi-hued crawl of ambient textures, with constant beds of drones, meanwhile resonant pads of guitar pedal slowly ebb and meander in and among the cascading waves of the soundscapes.
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Usually… we, the listeners, are treated to sinister drones and barely audible stabs and percussions… Crypthios refreshingly changes this paradigm with Vestigium, and rather than bestowing us with tenebrous wind and descanted, reverbed field recordings, we are treated with gentle, meandering pads and more introspective, organic notes.
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The industrial elements are nearly ever-present within the confines of the music, which is to be expected considering the persons involved, but the rhythms are subdued and carefully guided, never allowing the atmosphere to be broken. In all, this is an excellent, atmospheric sci-fi journey
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Six demigods of old are represented in this collection, with some familiar names, and some unknown, but the names of the composers on this album should not be unfamiliar, and for those who may be new to the dark ambient scene, or who have not heard the artists involved in this collection, this is definitely an excellent starting point.
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The easel of Metatron Omega is the canvas of eternity, and each song is a gentle wave of sound that caresses the consciousness further along the ebb of Time.
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This newest album takes us on a sojourn into the fantastical realm of dreams; into worlds and folds reality touched by faint memory, yet shaped by the subconscious, much the same way the music of Dead Melodies is presented.
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The listener will be guided through the cascades of imaginative synthscapes at a seemingly capricious gait, but Storonskyi is always in control… the exuberance of Klaus Schulze, but tampered with precision to the purpose of the atmosphere.
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